LIZZIE LEE

Lizzie Lee is a vocalist praised for her élan and vocal acrobatics, whose career spans the worlds of classical and jazz. After building an international reputation as a classical artist, performing on stages across Europe, Asia and the United States, Lee established herself as an artist of remarkable technical command and expressive range.Opera Magazine praised her “brilliant coloratura work,” highlighting the virtuosity that became a hallmark of her classical performances.

Lee’s debut album, 72nd Street, was recorded at the legendary Van Gelder Studio and features Joe Farnsworth, John Webber, Stacy Dillard and Joe Block. Eight jazz standards in three languages, reflecting her international training and passion for cultures, we hear Lee’s emotional and virtuosic range — moving effortlessly between sultry, smoky, soaring and spontaneous. Guitar legend Bill Frisell called her work “absolutely stunning.”

After years of lighting up opera houses and recital halls, Lee found herself drawn toward greater creative freedom beyond the rigor and precision of classical music’s more defined form. She discovered that jazz offered something completely unknown —an approach to music where her virtuosity could meet spontaneity, opening new avenues for collaboration and fresh ways of bringing a song to life.

Lee has performed at Staatstheater Darmstadt under the direction of Maestro Ruth Reinhardt, Teo Otto Theater (Remscheid), Thailand Cultural Center (Bangkok), American Church (Paris), European Music Institute in Vienna with Maestro Francisco Araiza, Coeur D'Alene Symphony (Idaho), and New York venues including The Bitter End and The Django alongside Joe Farnsworth, among others. Additional collaborations include appearances with Jenaer Philharmonie, Bergische Symphoniker, and Zadig Trio with the Queen Elisabeth Music Chapel (Brussels). She has also worked with artists from the Metropolitan Opera, Opéra Bastille, and the Royal Opera House, including Martina Arroyo and Dalton Baldwin and others, reflecting her extensive international training and classical foundation.

Alongside her performing career, Lizzie is passionate about creating new platforms for artists and audiences to connect. She is currently co-producing a concert series at the Arts Club of Washington DC and recently co-founded a women’s artist collective in New York City in partnership with the Catharsis Arts Foundation and Atelier Jolie.

LIZZIE LEE

Lizzie Lee is a vocalist praised for her élan and vocal acrobatics, whose career spans the worlds of classical and jazz. After building an international reputation as a classical artist, performing on stages across Europe, Asia and the United States, Lee established herself as an artist of remarkable technical command and expressive range.Opera Magazine praised her “brilliant coloratura work,” highlighting the virtuosity that became a hallmark of her classical performances.

Lee’s debut album, 72nd Street, was recorded at the legendary Van Gelder Studio and features Joe Farnsworth, John Webber, Stacy Dillard and Joe Block. Eight jazz standards in three languages, reflecting her international training and passion for cultures, we hear Lee’s emotional and virtuosic range — moving effortlessly between sultry, smoky, soaring and spontaneous. Guitar legend Bill Frisell called her work “absolutely stunning.”

After years of lighting up opera houses and recital halls, Lee found herself drawn toward greater creative freedom beyond the rigor and precision of classical music’s more defined form. She discovered that jazz offered something completely unknown —an approach to music where her virtuosity could meet spontaneity, opening new avenues for collaboration and fresh ways of bringing a song to life.

Lee has performed at Staatstheater Darmstadt under the direction of Maestro Ruth Reinhardt, Teo Otto Theater (Remscheid), Thailand Cultural Center (Bangkok), American Church (Paris), European Music Institute in Vienna with Maestro Francisco Araiza, Coeur D'Alene Symphony (Idaho), and New York venues including The Bitter End and The Django alongside Joe Farnsworth, among others. Additional collaborations include appearances with Jenaer Philharmonie, Bergische Symphoniker, and Zadig Trio with the Queen Elisabeth Music Chapel (Brussels). She has also worked with artists from the Metropolitan Opera, Opéra Bastille, and the Royal Opera House, including Martina Arroyo and Dalton Baldwin and others, reflecting her extensive international training and classical foundation.

Alongside her performing career, Lizzie is passionate about creating new platforms for artists and audiences to connect. She is currently co-producing a concert series at the Arts Club of Washington DC and recently co-founded a women’s artist collective in New York City in partnership with the Catharsis Arts Foundation and Atelier Jolie.

MUSIC

Stardust (live)
Lizzie Lee/Voice, Will Gorman/Piano
My Funny Valentine
Lizzie Lee/Voice, Nuovo/Guitar
Mon cœur s'ouvre à ta voix (live)
Lizzie Lee/Voice, Nuovo/Guitar
On a Clear Day (live)
Lizzie Lee/Voice, Nuovo, Sellenraad/Guitar
Lizzie Moran - Misty
Lizzie Lee/Voice, Will Gorman/Piano
“Incredibly moving . . . where does that power and passion come from?”
— David Broza (Israeli Guitarist/Singer/Producer)
“Standouts [included] American Lizzie Lee for her brilliant coloratura work.”
— Opera Magazine
“Absolutely stunning . . . inspiring.”
— Bill Frisell (American Jazz Guitarist/Composer)

PRESS & PHOTOS

“Moving and expressive . . . she shined.”
— Echo

PERFORMANCE HIGHLIGHTS

Venues, Theaters & Orchestras (U.S.)

The Bitter End, New York, NY

The Django, New York, NY (Joe Farnsworth Quartet)

Close Up, New York, NY

The Arthouse, New York, NY

The Wallace, New York, NY

Winnie’s Jazz Club, New York, NY

Rosevale Room, New York, NY

Joanne’s, New York, NY

Reverie Room, New York, NY

Marc A. Scorca Hall, New York, NY

Symphony Space, New York, NY

The Kosciuszko Foundation, New York, NY

Queen Elisabeth Music Chapel (Yamaha Studio), New York, NY

Christ and St. Stephen's Episcopal Church, New York, NY

Dahlgren Chapel, Washington, DC

Arts Club of Washington, Washington, DC

Union Station, Dallas, TX

Kimbell Art Museum, Fort Worth, TX

Anchorage Opera/Anchorage Performing Arts, Anchorage, AK

Anchorage Museum, Anchorage, AK

Coeur d’Alene Symphony, Coeur d’Alene, ID

Venues, Theaters & Orchestras (International)

Isola Festival (Jazz), Isola, Slovenia

Opera Siam/Thailand Cultural Center, Bangkok, Thailand

American Church in Paris, Paris, France

Concert Lyrique: Les Voix des Filles, Fleurance, France

Église Saint Dominique, Monpazier, France

Otto-Wagner-Areal Baumgartner Höhe, Vienna, Austria

Jenaer Philharmonie (tour), Germany

Volkshaus Jena, Jena, Germany

Lessingtheater, Wolfenbüttel, Germany

Bergische Symphoniker/Teo Otto Theater, Remscheid, Germany

Staatstheater Darmstadt, Darmstadt, Germany

Hundisburg Castle, Hundisburg, Germany

Teatro Angelo Mariani, Sant'Agata Feltria, Italy

Instituto Allende, San Miguel de Allende, Mexico

Artist Programs & Education

Jazz Academy, New York, NY

Joy in Singing: Art Song Institute - Dalton Baldwin, New York, NY

Martina Arroyo Foundation, New York, NY

Manhattan Opera Studio, New York, NY

Beyond Vocals, London, England & Isola, Slovenia

Classic Lyric Arts, Novafeltria, Italy

Bel Canto in Tuscany, Greve, Italy

L’Art du Chant Français, Périgord, France

L’Académie de la Roche d’Hys, Burgundy, France

Lotte Lehmann Akademie, Perleberg, Germany

European Music Institute - Francisco Araiza, Vienna, Austria

ISV/Mozarteum, Salzburg, Austria

NYFA Artist as Entrepreneur, New York, NY

University of North Carolina at Chapel Hill, Chapel Hill, NC

Contact

For bookings inquiries:

booking@lizzieleemusic.com
(917) 565-2908

For Media & PR:

meghan@brandpoppr.com
(864) 680-7670